Search results for "Cognition musicale"
showing 6 items of 6 documents
Composition et cognition musicales : création, perception, appréciation
2005
Ce texte est un rapport de fin de recherche issu de l'ACI cognitique.; Ce projet avait pour objet d'apporter des éléments objectifs de réflexion sur les possibilités et limites de la perception et de la compréhension des matériaux et des structures d'une oeuvre de musique contemporaine. Les buts spécifiques comprenaient l'étude : 1) des processus d'invention et de résolution de problèmes dans la composition musicale, 2) des processus de traitement perceptif et de mémorisation des matériaux musicaux, 3) du traitement perceptif et mnésique des variations ou transformations opérées sur ces matériaux et de l'intégration des matériaux et de leurs transformations dans une forme d'ensemble, 4) du …
The reciprocal link between music and movement studied through music-induced movements
2014
Music and movement are inseparable. The movements that are spontaneously procuded when listening to music are thought to be related to the close relationship between the perceptual and motor system in listeners. This particular link is the main topic of this thesis. A first approach was focused on the impact of music-induced movements on music cognition. In two studies, we show that moving along to music neither enhances the retention of new musical pieces (Study 1) nor the retention of the contextual information related to their encoding (Study 2). These results suggest a shallow processing inherent to the expression of musical affordances required for the production of music-induced movem…
Topo-analyse de la musique mixte
2017
National audience; The purpose of this article is to pursue a semiotic approach to mixed music already outlined in some writings. After having developed a theoretical model capable of synthesizing the possible concert apparatus and defining the functions of the various protagonists, this article attempts, on the one hand, to establish a typology of the main relational strategies between instrumental and electronics observed in the repertoire and, on the other hand, to develop an analysis method using the topics. Relational strategies are approached with the concept of topic, defined as an imaginary place to articulate potential contents and unify them within an identifiable theme. In the re…
Prêt-à-porter ou coupe sur mesure ? Liberté et contraintes de la temporalité dans l’interprétation de la Sequenza III de Berio
2017
National audience; Sequenza III (1965-1966) for Female Voice by Luciano Berio is one of the leading works in the solo vocal repertoire after 1945. The work is the culmination of a fruitful on-going collaboration with Cathy Berberian, interrupted by the singer’s death in 1983. Perfectly knowing the singer’s vocal possibilities, Sequenza III was “not only written for Cathy, but about Cathy” as the composer asserts. It is then legitimate to ask the question of the fate of the work, since Sequenza III was by no means reserved, in Berio’s mind, to a dedicated performer. In order to answer this question, this article analyzes five recorded performances (Berberian, 1967 and 1970; Castellani, 1998,…
Temporalité et texture dans "Eight Lines" de Steve Reich : de la perception locale à la forme expérientielle
2017
Consacré à la nouvelle question d’agrégation 2018 « Les temps de la musique », ce numéro illustre la diversité des problématiques auxquelles seront confrontés les candidats au concours. Il aborde à la fois le temps de la création et celui de l’interprétation, les temporalités des musiques « savantes » et celles des musiques « populaires », réunissant des textes synthétiques et des analyses d’oeuvres, des approches historiques, ethnomusicologiques et esthétiques. ISBN 9782368570432; National audience
La filiation Varèse - Zappa en question
2017
National audience